Plaid, John Tejada, Nordic Soul
1720 and Decibel Festival proudly present…
Warp Records – UK
with special guests
Kompakt Records / Palatte
with support from
Decibel Festival / Studio 4/4
The innovative duo Ed Handley and Andy Turner have been expanding the realm of electronic music as Plaid since they diverged from trio The Black Dog in the early 90s. In 2019, Plaid stand alongside the likes of Aphex Twin, Autechre and Nightmares on Wax as mainstays of the Warp label as it reaches its 30th anniversary, celebrating achievements in music like few others. Their adventurous and playful approach has taken them to working with Björk and drawing comparisons to fellow collaborators Mark Bell, Arca, Haxan Cloak and more recent Releases by Skee Mask and Daniel Avery. They’ve worked with the London Sinfonietta, the Southbank Gamelan Players, composed for Felix’s Machines robotic sculptures, and soundtracked events as diverse as reindeer migration in northern Europe to a level in popular platformer Little Big Planet 3. In a live capacity their show straddles both a contemporary and club capacity, able to pack venues from Sydney Opera House and Southbank to Bloc and Berghain.
Covering a wide range of emotions, influences and inspirations; ‘Polymer’ is an album for modern times. It’s creation was informed by a manifesto of Polyphony, Pollution and Politics; clashing themes of environment, synthetics, survival/mortality and humanity’s (dis)connection.
ABOUT JOHN TEJADA
Normally associated with his peers in techno from Detroit, Europe and elsewhere, John Tejada has embraced electronic music as a personal frontier, expanding on his resume as a techno recording artist as producer, remixer, DJ, and label owner. Known for crafting a brand of subtle, musical techno, his recorded output ranges across tempo and genre lines, from chilled out affairs with spacious arrangements to pulsating, densely layered, deeply energetic tracks that work magnificently in the hands of DJs as well as on the home stereo.
John Tejada was born in Vienna, Austria on April 21, 1974. His parents, both professional classical musicians (his mother an opera singer and father a conductor) began his early piano training at the age of 4. In the summer of 1982, John would move with his mother to her place of birth, Los Angeles. It was that summer at the age of 8 another instrument would catch his eye, the drums. Teaching himself to play along to classic rock music, John quickly learned his way around the drum set (an instrument he still plays to this day in his I’m Not A Gun project). Everything changed however when he got his first taste of early 80’s hip hop music. The impact of those early productions and electronic experimentation was very strong. Soon after, at the age of 12 John was given his first set of turntables and a mixer. He wanted to figure out everything he was hearing DJs do at that time. His first gigs came at the age of 12 for his own school, DJing his school dances.
Soon after his fascination with DJing began his fascination with production began. Just as he was completely determined to learn the tricks of local DJs, he now wanted to know how the music was made. His introduction came around the age of 15, when he acquired his first looping delay. Soon after came his first workstation, an Ensoniq EPS sampler. This opened up a whole new world of possibilities. John spent every part of his day honing his craft.
In 1991, while still in high school, John was already recording his first productions. He was also involved in college radio, even though he was just a junior in high school. John had a spot on “The Fly ID Show” with DJ Rob One. John produced the show’s first record for Rob and also went on to do some hip hop production on Ruthless Records. It was during this time that he met his long time collaborator and best friend Arian Leviste. The two met at a hip hop recording session in ‘91. John, already tired of the hip hop scene and where it was going, spent hours talking to Arian about acid house, techno, ambient house and everything they seemed to have in common. The two agreed they would meet weekly to compose material. It took some time before they would release any music, but in 1994 they pressed up their own single and that started a chain reaction of releases. John and Arian during this time also were accepted into Cal Arts’ (California Institute for the Arts) electronic music program, but both decided not to attend to hone their craft on their own.
Soon after, John enjoyed a series of releases on European labels like A13, Multiplex, and Generations R&S. In the fall of 1996 he started his own label, Palette Recordings as an outlet to release his own productions without having anyone tell him how to do it. The demand for his music continued to grow and labels such as Ferox, Sino, Mosaic, Immigrant, Plug Research, Pokerflat and 7th City all released Tejada 12”s.
John began traveling internationally in ‘97 to showcase his DJ skills around the globe, traveling to more than 25 countries and playing various clubs and festivals around the world. Festivals included Movement (formerly The Detroit Electronic Music Festival), Sonar Festival (in Spain and Tokyo), Dance Valley (Netherlands), Sync Festival (Greece), Mutek Mexico, as well as internationally known spaces such as Fabric (London), Yellow (Tokyo), Rex Club (Paris), The Walt Disney Concert Hall (Los Angeles) and many more.
In 1999, John met classical jazz guitarist Takeshi Nishimoto, which was the beginning of another musical frontier. The two had a similar meeting as John and Arian had years before and began talking about making music. The project I’m Not A Gun was born and signed soon after to Berlin-based City Centre Offices. This project would bring back John’s own training as a drummer while also trying his hand at the guitar. The project became a mix of John’s own electronic productions along with Takeshi’s professional guitar playing and John’s drumming. The project has enjoyed great reviews and success the world over and the duo has performed live in LA, Japan and Germany.
In the summer of 2004, John would – in one week – create the two songs that would catapult his techno career. The classic “Sweat On The Walls,” and “Mono On Mono” were released almost at the same time on two different labels. “Sweat” was released on Pokerflat and “Mono On Mono” on Palette. Together the two records sold over 23,000 copies on vinyl. This lead to the equally successful follow up singles “Paranoia,” “Mind Bend” (with more recent collaborator and Palette-signing, Justin Maxwell) “Voyager,” and “The End Of It All.”
With dozens of singles and remixes to his credit, he has also produced full-length albums for Playhouse, Palette, Plug Research, deFocus, Moods and Grooves, Immigrant and A13.
For John’s most recent project he’s teamed up with comedian/musician Reggie Watts for the super duo Wajatta.
For a complete discography please visit http://www.discogs.com/artist/John+Tejada.
ABOUT NORDIC SOUL
Nordic Soul aka Sean Horton has long been enamored with artistic expression, the creation of music, and the technology that fuses it all together. Today he is best known as founder, curator and president of the Decibel International Festival of Electronic Music Performance Visual Art and New Media in Seattle. In 2014, Sean was named #43 on Rolling Stone’s “50 Most Important People in EDM”: http://rol.st/1fHxj3D
Founded in 2003, Decibel Festival has become a unique platform for exposing attendees to leading-edge multimedia art from around the globe. With a focus on live performance, interactive multimedia art, state-of-theart sound and technology based education; Decibel has solidified itself as one of the premier electronic music festivals and promotional organizations in the world. The five-day festival program averages over 25,000 attendees
a year. Over the years Decibel has hosted hundreds of events, featuring over 1,000 unique performers from over 40 countries. Outside of the annual festival program, Decibel Events producers over 60 events per year, ranging from intimate club performances to massive international festival stages. For more info, visit http://dbfestival.com
Beyond his work with Decibel, Sean is an expert deejay, producer and performer who has been turning out dance floors since the late 90s. A lover of many musical styles, Nordic Soul’s interest and roots in techno, house, hip hop, azz, soul, industrial, ambient and dub contribute to his diverse musical palette. Since Nordic Soul’s inception in 2002, he has shared the stage with an eclectic cross section of international talent, including Bassnectar, Grimes, Moby, Major Lazer, Richie Hawtin, Boys Noize, Seth Troxler, Maya Jane Coles, Ben Klock, Modeselektor, DARKSIDE, Trentemoller, Four Tet, The Orb, Simian Mobile Disco, Moodymann, Duke Dumont, Scuba, Dusky, Green Velvet, Moderat, MK, Gui Boratto, Monolake, Mount Kimbie, Klingande, Matthew Dear, Luke Vibert, Theo Parrish, DJ Tennis, Roman Flugel, Huxley, Justin Martin, Danny Daze and Motor City Drum Ensemble. Sean has also performed at several major festivals world-wide, including Dimensions (Croatia), MUTEK (Montreal), Communikey (Boulder) and Decibel (Seattle). Nordic Soul has released music on a wide variety of labels including K Records, Buttermilk Records, Peloton and Basic_Sounds.
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