The Wall Auckland ft. Emalkay (UK) & Trolley Snatcha (UK)
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The Wall Auckland ft. Emalkay (UK) & Trolley Snatcha (UK)

  • August 19, 2015 11:00 PM to 4:00 AM
  • The Wall NZ
    9 Vulcan Lane, Auckland, NZ
  • Ages 21 and over
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Events » Auckland » The Wall Auckland ft. Emalkay (UK) & Trolley Snatcha (UK)

Emalkay
emx001.mix
EMALKAY
Dubstep
RIOT
riot - nocturnal wonderland 2016 (live set)
RIOT
No Genre
RIOT
play me radio - let's start a riot!
RIOT
No Genre
Emalkay
november dj mix (slammers and bangers radio 1)
EMALKAY
Dubstep

21Following

  • Jason O'Brien
  • Chenzo Navarro
  • Terri Houia
  • Yasmin Alexiou
  • Jayc A'moür
  • Hieu Minh Nguyen

Details

Now and then we throw parties not even we can believe. A double header of epic proportions, Auckland we’re bringing dubstep back…

Emalkay (UK) & Trolley Snatcha (UK)

FIVE DOLLAR ENTRY!

#wearethewall


Emalkay (UK)
Troley Snatcha (UK)

Hungry Giant
Lee X Matthews
Stranger Than Me
Filth Squad B2B Riot

#thewallgoesbass


Emalkay (UK)

Crusader of all things bass, Martin Knowles – or as we know him, Emalkay – has proven himself to be one of Dubstep’s most formidable characters. He has cemented himself as a pivotal figure in the scene, playing a vital role in igniting a movement within the sound in 2009 which eventually became the modern Dubstep sound. His influence is unmistakably apparent in so many emerging artists and songs today, it’s something he is very proud about.

It all started in his hometown of Birmingham way back in 2002 where he, with the help of his family of MCs, would scorch the airwaves weekly on pirate radio station, Silk FM. It was here that his love of dubplate culture, bass and DJing grew and it wasn’t long before he had his first outing in the form of a limited white label EP in 2003, built in the bedroom with fellow radio DJ, D.e.e.p. It was dark, energetic and pushed the boundary of what was the popular underground sound of at that time, which we now know as Grime. Trademarks that have since become synonymous with his name throughout his career right up to this moment.

More grime and proto-dubstep releases followed soon after but It wasn’t until 2007, with Dubstep still in it’s infancy that he gained prominence with his gut-twisting roller, “Mecha”. What followed over the next 2 years were a slew of releases that were received with great acclaim and gained him a great deal of recognition all over the world. “Explicit/Heroics” in 2009 being a good example of just how far his sound had come and yet as uncompromising as ever. By now he was playing regularly across the UK and Europe and creatively this became a significant driving force behind his music. It was then at the end of 2009 that, wanting to do something bigger and bolder, Emalkay was ready to unleash his next weapon, “When I Look At You”. Voted Dubstepforum’s best track of ‘09 and described by Pitchfork as “Irresistable” and by Clash Magazine as “a monster”, it was a track that shook the genre from it’s very feet. Some have since called it a game changer but Martin, characteristically grounded as always, described it as “A tune that needed to be made.”

By this time, it should be noted, Emalkay was enjoying a highly successful remix career. His reworks of Pendulum’s “Watercolour” and Faithless’ “Sun to Me” in 2010 along with his more dark and rolling transformation of Miike Snow’s “Silvia” the following year showed the world just how explosive and innovating his approach could be. The successes of all this enabled him to bring his sound to some of the biggest festivals around the world including Glastonbury, Bestival, EDC, Tomorrrowland and Dour Fest to name but a few. He also frequented the notorious London club, Fabric. It was actually his experiences there that inspired him to write the 2011 shocker, “Fabrication”. A track that still hasn’t ceased to find it’s way into the sets of bass music DJs ever since. This was also the year of the long-awaited and much anticipated album, “Eclipse”. By capturing the darker tendencies of his earlier output and combining it with the dance floor energy he came to love, Emalkay had managed to craft something truly original and yet somehow reminiscent. His flirtations with jungle and hardcore proved to be very popular, with “Crusader” garnering radio play from the likes of BBC Radio 1 and had ravers reaching for their chests as their ribcages rattled from the sheer weight of the bass line.

Knowles’ remix magic struck yet again with his bass-soaked rework of Deliah’s breathe in 2012. As well as troubling dance floors across the board, this song would later become the theme song for UK’s popular TV show, Dynamo. After parting ways with his label later that year, Emalkay struck up a partnership with long time friends UKF to unleash two big hitters, “Bring it Down” and “The Line” (featuring his long time friend, Glen Boden on vocals). The two proved to be hugely popular and based on the previous successes with the channel, in the following year AEI (co-owner of UKF) and Emalkay joined up to form a new label “Bring It Down Records”. Since then, Emalkay has kept up his refreshing and hard-hitting approach to bass music with his EP “For the People” in 2013, followed by an explosive remix EP and “Tomorrow” in 2014, a collaboration with Dubstep legend and old friend, Caspa.

With an announcement of an album in the works and a firing technostep remix for the Glitch Mob just dropping, 2015 looks to be a very exciting year indeed for the bass bringer from Birmingham

Trolley Snatcha (UK)

Northampton born producer and DJ Zack Kemp, known to the music world as Trolley Snatcha, has risen through the ranks to become one of the biggest and most talked about names in UK bass music in the relatively short time since his debut release on Dub Police in 2009. Two years down the line and this exciting talent continues to impress with his unique high-octane and impactful take on dubstep and as his back catalogue steadily grows, he continues to win over fans across the globe, quickly developing a hectic touring schedule to match. Recently, he even became the first Dub Police artist to be featured in Nuts magazine!

Music has always been a part of his life, growing up around his father who was an avid music enthusiast. Whilst his father never forayed into making music properly himself, it was he who first introduced Zack to production. Having spent his early teen years playing guitar in bands with friends, it was when his father brought home a copy of music production program Reason that his interest in making music accelerated.

Starting off making hip hop and drum and bass in his teens, it was the emerging sounds of dubstep that caught his ear. Captivated by the positive energy that encapsulated the scene and the visceral experience of being in a rave, Kemp made the move into the realm of 140bpm, and he hasn’t looked back since.

The young producer first caught many people’s ears with his debut release ‘The Future’, which came out on Caspa’s Dub Police imprint in 2009. Being picked up fortuitously after sending some tunes to Caspa over the internet, it is testament to his production pedigree that he was immediately placed in the company of first rate producers like Emalkay, D1, The Others and Caspa himself. The track immediately put his name on the map, quickly becoming a staple in the record bags of some of the biggest DJs around.

Remaining with the Dub Police stable to this day, he has continued to showcase a steady flow of original productions, as well as a handful of remixes for the likes of Dreadzone, Caspa and Chase & Status – whose track ‘Blind Faith’ he recently took on – ensuring that his name remains on everyone’s lips. His subsequent releases for the label include the powerhouse ‘Circle K/We Rock The Forest’ single and the four track ‘One Trick Pony’ EP, on which he introduced a deeper side to his sound, proving himself to be a multi-talented producer with many strings to his bow. He is currently working hard in the studio, concentrating on his own original productions with a hotly anticipated five track EP in the pipeline for release later this year 2011.

When he is not in the studio, he is kept busy with a hectic touring schedule that has seen him travel the globe over the last eighteen months, touring throughout Europe and even as far afield as Australia and New Zealand on more than one occasion. Trolley Snatcha has played numerous festivals this summer including Dour in Belgium, Tomorrow Land Festival and the institution that is Glastonbury festival.

Still in the early stages of his career, Kemp is biding his time and continuing to hone his sound, with huge prospects ahead of him. You can be sure that his is a name that you will be hearing a lot more from in The Future.


Thanks V energy!

#legends
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{GUEST LISTS}

Simple.. just write your name, and tag friends names on the event wall ² below.

Simple.. just write your name, and tag friends names on the event wall ² below.If you get on the list and you’re not a douchebag* you’re eligible for Tea4Two before 11pm

Simple.. just write your name, and tag friends names on the event wall ² below.If you get on the list and you’re not a douchebag* you’re eligible for Tea4Two before 11pmGuests of The Wall ² receive priority entry.

Simple.. just write your name, and tag friends names on the event wall ² below.If you get on the list and you’re not a douchebag* you’re eligible for Tea4Two before 11pmGuests of The Wall ² receive priority entry.www.wearethewall.com.au
https://soundcloud.com/the-wall-nz

Simple.. just write your name, and tag friends names on the event wall ² below.If you get on the list and you’re not a douchebag* you’re eligible for Tea4Two before 11pmGuests of The Wall ² receive priority entry.www.wearethewall.com.au
https://soundcloud.com/the-wall-nzNB: *Douchebag status is at the discretion of the door host

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