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There are more or less three different stylistic methods concerning food ingestion: 1. orderly consumption; 2. suffering through some form of diet and; 3. a balanced feast. The Wighnomy Brothers of Jena have applied the latter, not only to the taking in of nature’s fruitage, but by applying this also to their daily intake of music. Next is to deftly inform the rest of the world. Hereby they purloin not only the vinyl classics of others, but keep to the ultimate aim of keeping their own irons in the forge.
The two, tone-artists junkies Gabor Schablitzki (alias Robag Wruhme) and Soeren Bodner (alias Monkey Maffi a), react to and revolve around the verbal confrontation. Both tap into you, starting stealthily as a mere bud in your soul, which eventually conquers your musical devotion. It all began with blond perms, armbands, striped stretch pants, heavy (emphasis on heavy) metal and everything that goes with that image. Actually, that is just a collection of lies told with a sigh and a smile. The two buddies’s got to know each other in 1988 while break dancing. The way it happens with some adolescents, the different music styles that passed through their eardrums started with Hip Hop, early electronica of every colour, ambient, house, techno, jazz, funk, and even alternative/independent rock. Both soon concluded that the true sound aesthetic is far away from the instruments; at full blast it is only what
pours out of the grooves in the vinyl. This being the case, the established “Phonothek” absorbs, selects and then releases product. The fi rst refuge: Gabor stood in the mid-90’s as “The Chill-Out DJ”, behind the decks on many a relaxing fl oor of mother earth. In the meantime he played with Herbie Hancock and stood as a virtuoso in a keyboard shop. In 1996 with Volker Kahl he started the project “Beefcake”.
With his, rather experimental but simultaneously harmonious, lectronicadevoted release he had notched his own international respect. Until 1997, Gabor & Soeren dashed through the Thuringian club and party scene, and are currently residents in the renowned Club Kassablanca in Jena. However only since April 97 they are known as the Wighnomy Brothers. Since the founding of the Freude am Tanzen label, business has steadily improved. Of course, not without the stumbling blocks and setbacks that happen with marketing mechanisms. However, in accord with the motto “Stehter Tropfen höhlt den Stein” (words of wisdom which mean when translated, steady drops will drill a hole in stone), the FAT vehicle with the Wighnomy Brothers steam engine stays on track.
Also, for the last two years there is the added train car called Musikkrause and, the friendly collaboration with the Cologne based Kompakt stable must also be mentioned here. The always multifaceted style of the WB’s has been further developed through club experience, production, and still more fl avour expansion efforts. This all brings a functional kick with the ever-present view to the thoroughly rocked dance floor. Originally, they were native to deep and traditional house together with Latin, vocal, and Nujazz flavouring. The musical spectrum lying between advanced in the direction of “raving with reason”. Therefore, stirring, intelligent, technotronic, wide ranging dance music of incalculable worth to body and soul welcomes you.
Everything out of the speakers goes straight to the bones, bringing your blood to a boil whether minimal, bounce, shuffling, break, or jazzed tracks. Both gentlemen are solo artists: Robag Wruhme (also as producer) and Monkey Maffia, allowing (when the “blessed union” is on hiatus) both gentlemen the liberty to give and receive unique inspirations. This serves the Wighnomy Brothers the benefit of bringing fresh impressions to the table when collaborating. Monkey-Soeren is also the owner of the Fatplastics recordstore in Jena: quite the ideal refuge and communications platform.