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Ost & Kjex

Oslo, Norway

Crosstown Rebels, Dialect Recordings, Diynamic
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With a sound that straddles electro, funk, disco and house, Oslo based duo Ost & Kjex return

with their second long-player ‘Cajun Lunch’ on Hamburg based imprint, Diynamic.

Having released their cheese fixated (and indeed sampled) debut album ‘Some Cheese but

not all Cheese comes from the Moon’ in 2004 the food obsessed Norwegian pair have

released a multitude of EPs and remixes on labels such as Crosstown Rebels, Planetnoise,

Modular, Snick Snack, Punkt, Dialect and now Diynamic Music and played in venues and

festivals all over the world including Fabric (UK), Panorama Bar (DE), Moog (ES), Fusion

Festival (DE), Hove Festival (NO), Nu Music (NO) and Noveau Casino (France) to name a


The debut album, to their big surprise awarded them a nomination for best electronica album

at the Norwegian Grammys and the pair continued to develop their sound on releases such

as ‘More Songs About Cheese And Revolutionary Tarts’, ‘How Not To Be A Biscuit’ and

‘Boston Food Strangler’.

Since then the food boys have awoken, got their hands on some serious sounds and started

shredding out tunes aimed at the dance floor. In the summer of 2008 they stumbled upon

Hamburg based Croatian Solomun, resulting in a collaboration track called “Federgewicht”

(Featherweight) and the beginning of their association with Diynamic whilst only last summer

the pair contributed vocals on the dance floor hit ‘Summertime’ by UK producer Jamie Jones.

In between live shows and remixing the busy food geeks have now prepared their second

course for your delectation. As the title suggests ‘Cajun Lunch’ mixes elements of delta blues

and bayou basslines into their organic house sound, especially on the guitar filled

‘Bluecheeseblues Parts 1 and 2’ but also in the general laidback atmosphere that envelopes

every track. From the opening sun-kissed grooves of ‘Mosambiquetravelplan’ featuring Bugge

Wesseltoft on piano to the sexed-up funk of ‘Continental Lover’ and the deep house tones of

‘The Yellow Man’ the boys continue to conspire with the album’s guest vocalist, Tracee Meyn.

Providing a juxtaposition to the pairs’ house foundation and Mr. Ost’s falsetto lead vocals,

Tracee becomes an integral part of ‘Cajun Lunch’s funk filled sound giving it that extra spice

to their production relish. On the darker and minimal edged ‘A New Deal’ and bassline driven

‘Seraphine’ Tracee is further assisted by members of her gospel choir who combine to give

‘Cajun Lunch’ a fuller, more rounded sound whilst tracks like ‘We Got Ticket To Moon’ and

‘Bluebird’ see the guys strip everything down to the bare essentials and groove with their

machines, taking their house sound into dark, sweat filled boxes the world over.

‘Cajun Lunch’ is house music but not as we know it (and certainly with more cheeses). Whilst

‘The Yellow Man’ spins a shimmering groove that sees Tracee sparring with Mr. Ost’s lovelorn

delivery we also find the duo’s production dexterity in full bloom on the closing ‘Lets Set The

Time’ which takes a slo-mo house groove into deep dub territory with Mr. Ost providing a

dreamlike vocal over the top, lulling us in to a chilled, hammock-strewn slumber.

Ost & Kjex’s love for electronic music still takes the boys wherever the cheese is fresh and

the beats are crunchy: from the Reggiano Parmesan factory in Verona to your local watering

hole, churning out theatrical performances or fucked-up live sets for the dance floor. This

summer will be no exception as you will find them gigging in clubs, live venues and festivals

across the world both as a duo and also featuring “The Traces” gospel choir.